‘Are any warnings for humanity from history encoded in Ancient Art?’

AI – ‘Yes, some warnings for humanity from history may be encoded in ancient art, though the interpretation is often debated. Some argue that ancient art, particularly prehistoric art, conveys warnings through symbolism and narrative, such as representing the dangerous cycle of life and death or the interconnectedness of all living things. Other interpretations suggest that monuments and artifacts hold coded messages about past disasters, as proposed by authors like Graham Hancock. 

Arguments for encoded warnings

  • Symbolism and mythology: 

Ancient art frequently encodes messages through symbolism, mythology, and religious narratives, which convey moral lessons, social values, and historical events. Analyzing these elements can reveal hidden meanings and provide insight into the culture that created them. 

  • Prehistoric art: 

The “Lion-Man” figurine, for example, may reflect the spiritual understanding of the time, where humans and animals were seen as interconnected spirits, suggesting a message about humanity’s place in nature. The “Warning signs” article by The Conversation suggests that the depiction of animals in prehistoric art may have been a way for early humans to process and remember dangerous situations and improve their survival skills. 

  • Coded messages: 

Some theories suggest that ancient monuments and artifacts might contain coded messages about past catastrophic events, such as the Younger Dryas impact event. 

  • Symbolic representation: 

The scales in some astrological texts, for instance, can represent the balance between good and evil, success and failure, and the potential for both to coexist within a single system. 

Alternative and counter-arguments

  • Symbolism vs. direct warnings: 

Some interpretations of ancient art focus on its symbolic, moral, or spiritual messages rather than direct warnings of disaster. 

  • Debated interpretations: 

The theories linking ancient art to encoded warnings, particularly those suggesting a lost advanced civilization, are often considered speculative or pseudoscientific by mainstream scholars. 

  • Lack of a key: 

Even when symbols are present, there is no guarantee that we have the “key” to decipher the intended meaning, especially if the code was personal, relied on oral traditions, or has been lost to time. 

Conclusion

While there is no consensus, some experts believe that ancient art may contain warnings about humanity’s relationship with nature and the consequences of our actions. However, other interpretations suggest that this view is too simplistic or speculative and that the primary purpose of ancient art was to communicate beliefs, social values, or religious stories. It is important to remember that while art can be a powerful tool for communicating complex ideas, interpretation is subjective and can vary depending on the individual’s perspective and cultural context.’

My 2nd Q. – ‘Are any warnings for humanity from history encoded in Ancient Egyptian, Mesopotamian, Indian, Chineese and South American Art?’

AI – ‘While there is no definitive consensus on warnings for humanity in ancient art, some symbols and narratives may contain them, though they are often open to interpretation. Examples include depictions of cosmic catastrophes like floods in Mesopotamian and other art, the use of symbolic imagery like the headless figure and vulture at Göbekli Tepe potentially signifying death or catastrophe, and the frequent appearance of mysterious “purses” across different ancient cultures, which could symbolize knowledge or cosmic balance. Examples of potential warnings:

  • Mesopotamian art: Depictions of flood myths and powerful symbols like the Ouroboros (a serpent consuming its own tail) often represent cycles of creation and destruction. 
  • Göbekli Tepe: Carvings of a headless figure next to a vulture may be interpreted as a warning of death or natural catastrophe. 
  • Ancient Chinese art: While often focused on imperial power, art from various dynasties, such as the Terracotta Army, also depicts beliefs about the afterlife and the consequences of a ruler’s actions. 
  • South American art: The “purses” or bags found in Olmec and Mayan art have been interpreted by some as holding esoteric or spiritual knowledge, with their widespread appearance potentially suggesting a shared understanding of hidden or dangerous power. 
  • Indian art: The concept of the wheel of time (samsara) in Buddhist art, which depicts the cycle of life, death, and rebirth, can be seen as a warning against attachment and the suffering caused by desire. 
  • General symbolism: Many cultures use symbolic motifs to represent the cyclical nature of life and death. For example, the widespread appearance of “purses” or bags in ancient art across different civilizations might indicate a shared understanding of a concept like cosmic balance or a warning about holding onto sacred items.’

Important considerations:

  • Interpretation is subjective: The meaning of ancient symbols is often a matter of ongoing debate among scholars, with no single “correct” interpretation.
  • Cultural context is key: To understand potential warnings, it is crucial to consider the specific cultural and religious context in which the art was created.
  • Limitations of evidence: Some ancient texts and symbols are incomplete or have been lost to time, making it difficult to fully understand their meaning. 

It makes me wonder, and this will be the subject of a future blog – whether Mathematics, Geometry, and Colour- together, provide a Universal Key to unlocking these messages?

‘Is Atlantis based upon an anachronism?’

AI – ‘Yes, the Atlantis story contains anachronisms, with the most significant being the timeline, as Plato places the story over 9,000 years before his own time, which is a massive historical exaggeration. Some scholars also argue that other elements, such as the specific details of the civilization, may be inconsistent or anachronistic because they were likely invented by Plato as a philosophical allegory rather than a historical account.  

Anachronisms in the Atlantis story

  • The timeline: 

Plato places the events of Atlantis approximately 9,000 years before his own era, a timeframe considered too ancient for the civilization he describes to have existed in the way he portrays it. 

  • Historical inaccuracies: 

The story contains anachronistic elements that suggest it is a fictional allegory rather than a historical record. For example, Plato describes a society that reflects his own philosophical ideas about an ideal state, but places it in a time far before the existence of such societies. 

  • The purpose of the story: 

The Atlantis story is part of a Socratic dialogue and is not intended to be a literal historical account. Plato uses it as a cautionary tale and a philosophical allegory to make a point about the dangers of hubris and the ideal form of a state. 

  • Possible inspiration for the myth: 

Some scholars suggest that Plato’s story may have been inspired by real events, such as the Minoan civilization’s collapse due to the Thera eruption, or the failed Athenian invasion of Sicily. However, these events occurred much closer to Plato’s time than the 9,000 years he mentions. 

Conclusion

The Atlantis story is best understood as a philosophical allegory with likely anachronistic elements, not a literal historical account. While there may be kernels of historical inspiration, the narrative as presented by Plato is a fictional creation designed for a philosophical purpose, with the most obvious anachronism being the exaggerated timeline.’

My 2nd Q. – ‘According to Solon did the lost Egyptian Sacred Registers purportedly contain any statements which suggest that Atlantis existed?’

AI – ‘According to the story as told by Plato, the lost Egyptian Sacred Registers did contain statements suggesting that Atlantis existed. The primary source for this claim is Plato’s dialogues, Timaeus and Critias, which state that Solon translated Egyptian records that spoke of the island of Atlantis. 

  • Source: 

The story of Atlantis comes to you from the writings of the Greek philosopher Plato, who lived around 360 BC. 

  • According to Plato: 

Plato claimed that the Athenian statesman Solon, who visited Egypt between 590 and 580 BC, learned of Atlantis from an Egyptian priest. 

  • The Translation: 

Solon supposedly translated ancient Egyptian records that contained the story of the lost island civilization. 

  • The Content: 

These records allegedly described an advanced and powerful island nation that was eventually destroyed by a cataclysmic event and sank into the sea.’


My 3rd Q. – ‘What was the source of Plato’s dialogues Timaeus and Critias?

AI – ‘The source of the Atlantis story in Timaeus and Critias is a tradition passed down to Plato from the Athenian statesman Solon, who heard it from Egyptian priests. Plato uses this tradition as the basis for a fictional narrative in his dialogues to illustrate his philosophical ideas, not as a historical account. 

  • Primary source: The story’s source is presented as an oral tradition, transmitted from the Athenian lawmaker Solon, who was a visitor to Egypt. 
  • Egyptian priests: Solon is said to have heard the tale of Atlantis from Egyptian priests who were knowledgeable about ancient history. 
  • Plato’s use of the story: Plato adopted this story to serve as an introduction to his Timaeus, which discusses the creation of the universe. The full story was intended to be continued in Critias, a dialogue that would demonstrate Plato’s political philosophy in practice. 
  • Fictional context: The dialogues are not historical treatises but philosophical myths designed to teach lessons about ideal societies and the nature of the cosmos. …

Plato presents it as a story that was originally told to the Athenian statesman Solon by Egyptian priests, and was then passed down through several generations of Solon’s family orally before Plato wrote it down. Plato frames the narrative as a long-standing oral tradition.’

So, Plato presents the story of Atlantis in Timaeus and Critias as a story that was originally told to the Athenian statesman Solon by Egyptian priests, which was then passed down through several generations of Solon’s family orally, before Plato wrote it down. In other words, it appears that the story was transmitted to Plato through a longstanding oral tradition.

‘For most of human history, knowledge was passed down through oral tradition.’ (Leila Amineddoleh, ‘Words Words, Words: Books, Libraries, and the Law’, 28 Chap L. Review, 493 (22025), at 495, citing Patrick D.Nunn, ‘The Oldest True Stories in the Word’ (Oct. 18 2018).

Therefore, if AI‘s reply above is accurate, unless the version transmitted to Plato was based upon fiction, i.e. entirely invented, and provided Plato faithfully repeated what he was told, then logically, it is reasonable to conclude that the story of Atlantis is to an unknown extent, based upon fact. That is because ‘Registers’ – sacred or otherwise, typically record facts, including events, and are not designed to serve as literary devices for allegory.

Furthermore, if the story is allegorical, why would Plato make an allegation about the translation of ancient Egyptian records, i.e. about the Egyptian Sacred Registers, because if the originals existed in his time and were accessible the story could be verified, and if not, i.e. if the sacred registers which did once exist were lost, and one day could be found, they would provide documentary evidence either in contradiction or support of what Solon is reported by Plato to have said. Plato died in around 348/347 BC. 590 minus 348 = 242. In other words, Plato did not meet Solon. So, what he is reporting is not based upon contemporaneous first hand witness testimony.

The Sacred Registers have never been found, and copies may exist in undiscovered monuments which today, lie buried under the sands of Egypt.

The details in the story fit with the geography.

For a further discussion of this apparent coincidence, see the programmes in the Links on the blog.

See:

Books:

     

‘What Magic were Egyptian Wands used to perform?’

My 1st Q. – ‘What Magic were Egyptian Wands used to perform?’

AI – ‘Egyptian wands were used for apotropaic magic to ward off evil spirits, and in ritual ceremonies, with different types of wands serving various magical functions. Ivory wands, also called birth tusks, were used to protect women and children from evil, particularly during childbirth and early childhood. Other ceremonial wands were used in more powerful operations, like invoking deities, charging magical objects, or performing general magical operations.  Apotropaic wands (or birth tusks)

  • Purpose: Primarily for protection from evil spirits. 
  • Usage: Worn by or placed with women and children for protection during vulnerable times, like birth and early life. Also placed in tombs to protect the deceased during their rebirth. 
  • Appearance: Often made from hippopotamus ivory and carved with protective deities like Taweret, or other figures such as lions, snakes, and sphinxes. 

Ceremonial wands

  • Purpose: To perform more powerful magical operations. 
  • Usage: Used in rituals for invoking and banishing forces, charging magical items, and bringing into action the powers of life. 
  • Examples: The was sceptre, a type of ceremonial staff with a bird-like head, is associated with powerful magic. Some metal wands represented goddesses like the “Great of Magic” and were used to summon and control spirits.’ 

My 2nd Q. – ‘Why were some Egyptian Maigic Wands made out of Hippopotamus ivory?

AI –  ‘Because the hippopotamus was associated with powerful deities like Taweret, the goddess of childbirth and protection. The use of the hippo’s tusk was believed to harness the animal’s protective qualities against evil, especially for safeguarding mothers and children, and for the deceased in the afterlife.  

Association with Taweret: The goddess Taweret, a hippopotamus who was a fearsome protector of mothers and children, was a powerful symbol of protection. Using her tusk was a way to invoke her power. 

Hippopotamus strength: Hippos are dangerous and protective animals, and this dual nature of power and maternal care made their ivory a potent material for magical wands. 

Protection against evil: The wands were apotropaic, meaning they were used to ward off evil spirits. The carvings on the wands often included protective deities, such as Taweret and Bes, who were depicted holding knives to fight evil. 

Protection in life and death: These wands were believed to provide protection during childbirth and childhood, and were commonly placed in tombs to protect the deceased in their journey to the afterlife.’ 

My 3rd Q. – ‘What do the inscriptions carved on Egyptian Magic Wands signify?’

AI – ‘Inscriptions on ancient Egyptian magic wands signify magical protection against evil forces, especially for infants. Texts often include phrases like “protection by day” and “protection by night” or spell fragments to ward off malevolent beings, while images of protective deities like the hippopotamus goddess Taweret and the lion-dwarf god Bes fight evil spirits on the wands. These objects served a vital protective function during life and were placed in tombs to continue safeguarding the deceased.  

Significance of inscriptions and images

Protection against evil: The primary purpose of the wands was to create a protective magical barrier. The inscriptions and carvings were designed to actively fight and ward off harmful spirits. 

Specific protection spells: Phrases such as “protection by day” and “protection by night” or commands like “Cut off the head of the enemy when he enters the chamber of the children” were common inscriptions, say Facts and Details and Facebook users and Egypt Centre. 

Depictions of deities: The wands were engraved with protective deities, such as the goddess Taweret and the god Bes, as well as other supernatural fighters. These figures were often shown in the act of stabbing, strangling, or biting evil forces, such as snakes and foreigners, according to the BBC and Blogger.com. 

Protection for the vulnerable: While the wands were used in various rituals, many were specifically designed to protect infants from illness and evil spirits during birth and in their early years. 

Continuity in the afterlife: The magical power of the wands was not limited to life. They were placed in tombs to ensure the continued protection of the deceased in the afterlife.’

My 4th Q. – ‘Why did the Egyptians believe in Magic?

AI – ‘Ancient Egyptians believed in magic because they saw it as a way to interact with the divine, control their world, and ensure safety in both life and death. Magic, or Heka, was not separate from religion but was a fundamental, divine force that they believed sustained the universe and could be used by humans to influence events through rituals, spells, and amulets. This belief provided a sense of control, offered protection against misfortune, and helped them navigate the dangers of the physical world and the afterlife. Why they believed in magic

  • A force to interact with the divine: Egyptians believed Heka was a cosmic force that the gods used to create and control the universe. They saw magic as a way to tap into and manipulate this power to get help from the gods. 
  • A tool for daily life: Magic was used to solve practical problems and ensure a harmonious existence. This included protection from illness, accidents, and even hostile demons through protective rituals, spells, and amulets. 
  • An integral part of religion: Magic and religion were deeply intertwined and seen as two sides of the same coin. Temple rituals, for example, were considered magical acts to maintain the cosmic order. 
  • A guide for the afterlife: Egyptians believed magic was essential for navigating the afterlife. Spells from texts like the Book of the Dead were written on tomb walls and sarcophagi to help the deceased overcome the dangers of the underworld and achieve rebirth. 
  • A means of protection: Magic provided a defensive system against various threats, including disease, infertility, and dangers during childbirth. Protective amulets and spells were used to ward off evil forces, especially for vulnerable people like children and pregnant women. 

How magic was practiced

  • Rituals and ceremonies: Daily rituals and larger festivals were considered magical, as were individual practices. 
  • Spells and incantations: The spoken or written word held power, and spells were used to invoke divine powers or effect change. 
  • Amulets and symbolic objects: Amulets, like those depicting the god Bes, were worn for protection. Magical wands and other objects were also used in rituals.’

My 5th Q. – ‘Is there any evidence that any Egyptians beliefs and practices about Magic were believed and practised by any other ancient civilization?

AI – ‘Yes, other ancient civilizations, particularly those in the Greco-Roman world and ancient Israel, adopted and adapted Egyptian magical beliefs and practices, often through shared cultural interactions. Evidence includes the use of similar symbols, amulets, and techniques like scrying (using a reflective surface), though their magical practices often had unique national or cultural characteristics. 

Shared practices and influences

The use of protective amulets and potent symbols was widespread, with Egyptian and Egyptianized versions appearing in other cultures. These were used for protection against evil and to ensure well-being in both life and the afterlife. 

Ancient Egyptians used polished metal mirrors for divination, a practice similar to scrying, which was also found in other cultures, notes Egypt Tours Portal. 

  • Supernatural goals: 

Across cultures like Mesopotamia, Greece, and Rome, practitioners used symbolic words, images, and rituals to achieve desired supernatural outcomes. 

  • Integration into private and public life: 

Magic in the Greco-Roman world was a private practice distinct from official cults, while in Egypt, magic (Heka) was deeply intertwined with religious practices and daily life, as explained by Wikipedia and Egypt Tours Portal. 

The distinction between magic and religion blurred in many ancient societies, including Egypt, Israel, Greece, and Rome. Practices included spells, rituals, and incantations meant to influence supernatural forces for protection, healing, or other goals. 

Differences and cultural nuances

While ancient Israel had its own magical practices, Egyptian influence can be seen in the use of Egyptian and Egyptianized symbols and amulets in both royal iconography and folk religion. 

The Greco-Roman world combined influences from various cultures, including Egypt, creating its own magical traditions. Examples can be found in the Greek Magical Papyri, which include spells and rituals with specific instructions and promised results, notes Wikipedia. 

  • Cultural adaptation: 

Each civilization adapted magical practices to its own belief system. For example, the Egyptian concept of Heka, or magic as a divine power, was integrated into a different cultural context in other lands. 

My 6th Q. – ‘Is there any evidence that any Egyptians beliefs and practices about Magic were believed and practised by any  ancient civilization in South America, India and China?’

AI – ‘There is no evidence that ancient Egyptian magic was believed or practiced by ancient civilizations in South America, India, or China; these regions developed their own unique magical, religious, and philosophical traditions. While a universal human interest in magic existed, ancient Egyptian practices like heka were distinct, though there were some limited shared influences, particularly through trade routes like the silk road with a shared belief in powerful spiritual forces. 

South America

  • Ancient Egyptian magic and practices were separate from those of South American civilizations, which developed their own systems of belief and rituals that were indigenous to the Americas.
  • For example, the Inca had beliefs surrounding huaca, or sacred places and objects, and used rituals involving sacrifices and hallucinogenic drugs, which were distinct from Egyptian practices. 

India

  • Ancient Indian civilizations had their own rich traditions of magic, such as the Vedic and Tantric traditions.
  • These traditions involved practices like chanting, yoga, and meditation, which were different from Egyptian magic.
  • While some limited cultural exchange may have occurred through trade routes, there is no evidence of Egyptian magical practices being adopted by Indian civilizations. 

China

  • Ancient Chinese civilizations developed their own magical and spiritual systems, such as Taoism, which includes practices like alchemy, fortune-telling, and the use of amulets.
  • Chinese magic was often integrated with philosophical concepts like qi (vital energy) and the principles of yin and yang.
  • These practices were distinct from ancient Egyptian heka and were developed independently. 

My 7th Q.‘Why in Antiquity did a universal human interest in magic exist?’

AI – ‘In Antiquity, a universal human interest in magic existed because it provided a way to manage vulnerability and uncertainty by seeking to influence events beyond the perceived laws of cause and effect. Magic was used to address fundamental human needs and fears, such as for healing, protection from harm, love, and success in endeavors like hunting or business. It was a means of seeking control in a world where many events, including disease, death, and natural disasters, were unpredictable and frightening. 

Reasons for the widespread interest in magic

  • Seeking control: 

Magic was seen as a way to actively influence the world rather than being passive victims of fate. Rituals and spells were believed to achieve real goals and provide a sense of agency. 

  • Managing vulnerability: 

People used magic to cope with anxieties, fears, and losses by trying to manage the course of events in areas such as legal disputes, business rivalries, or interpersonal conflicts. 

  • Protection: 

A primary use of magic was for protection against unseen threats. In Mesopotamia, for example, it was a primary defense against demons, evil sorcerers, and the curses that could result from angering the gods. 

  • Health and well-being: 

Magic was central to many medical and ritualistic practices aimed at healing the sick and promoting general well-being. 

  • Social and political purposes: 

Magic was used in both public and private spheres. In ancient Greece, oracles were consulted for political or military decisions, while individuals used magic for personal reasons. 

  • Influence over the divine: 

Magic was a way to communicate with and influence the gods, seeking their favor for good harvests, protection, or other benefits through rituals and offerings. 

  • Integration with daily life: 

Magic was not seen as separate from religion or daily life, but as an integrated part of a system of belief and practice used to navigate the world.’

My 8th Q.‘Did Sir Isaac Newton believe in and practice Magic?’

AI – ‘Yes, Sir Isaac Newton believed in and practiced forms of what we would now consider magic, primarily through his extensive, secret work in alchemy, which he saw as a legitimate path to understanding the universe. He viewed his alchemical research as a complement to his scientific work, believing that a spiritual force or “active principles” governed the world and could be understood through both mystical and mathematical inquiry.  

Newton’s practice of alchemy

  • Deeply involved: 

Newton devoted many years to alchemy, filling notebooks with more than a million words on the subject and conducting numerous experiments. 

  • Goal: 

His goal was not just to transmute metals, but to understand the fundamental forces of nature, which he saw as connected to both his scientific and religious beliefs. 

  • Scientific approach: 

He approached alchemy with a methodical and hard-working attitude, much like his other scientific endeavors, but used a secret, coded language to document his work. 

  • Secret work: 

Newton kept his alchemical studies private, likely due to its controversial nature and potential risks, both legal and scientific. 

Alchemy in his worldview

  • Connection to science: 

Newton believed that alchemy provided a philosophical framework for understanding the non-material forces that influenced the physical world, such as gravity. 

  • Mystical beliefs: 

He sought to integrate his alchemical and mystical intuitions with his scientific understanding, believing a universal “spirit” or “active principle” animated creation. 

  • Rejection of other “magic”: 

While he was deeply invested in alchemy, Newton distinguished it from other forms of magic he rejected, such as demonic magic, and did not believe in witchcraft or ghosts. 

  • Legacy: 

The discovery of his extensive alchemical work after his death revealed a more complex figure, challenging the perception of Newton as solely a rationalist scientist.’ 

My 9th Q. – ‘Are any Spells and Symbols of Magic inscribed on any Megalithic Stone anywhere in the world?’

AI – ‘While there is no definitive evidence that megalithic stones were inscribed with spells or magical symbols, they were often associated with magic and ritual in folklore, and some ancient stones bear carvings that are interpreted as having symbolic, magical, or ritualistic meaning. For example, the spirals at Newgrange are believed to have symbolized the cycles of life and death, and ancient curse tablets were inscribed on stone to bring harm upon an enemy.  

  • Folkloric and spiritual use

Many ancient sites are linked to mystical properties in folklore, such as the ability to heal or grant wishes, and some stones were used in rituals. 

  • Symbolic carvings

Stones sometimes feature symbols that are believed to have deep meaning. The spirals at Newgrange are thought to symbolize cycles of life, death, and rebirth, and are linked to solar alignments. 

  • Curse tablets

In ancient Greece and Rome, curse tablets were inscribed on stone, lead, or wax to invoke a curse on an enemy, though these are not necessarily associated with megalithic sites. 

  • Protection

Some ancient artifacts with magical purpose, such as Egyptian ivory “wands,” were engraved with images of protective deities and symbols to ward off evil. 

My 10th Q. – ‘Does the absence of Spells and Symbols of Magic inscribed on any Megalithic Stone suggest that those who created these monuments did not believe in or practice Magic?’

AI – ‘No, the absence of inscribed magic is not proof that megalith builders didn’t believe in or practice magic. The lack of inscribed symbols could mean they expressed magic differently, such as through the monumental architecture itself, oral traditions, or the use of certain stones believed to have magical properties. For example, the bluestones at Stonehenge are believed to have been brought for a reason, and theories suggest they were seen as having magical or healing properties, even without written spells. 

  • Symbolism and magic were expressed differently: 

Magic was often intertwined with what is now called science and was expressed through actions, rituals, and the monuments themselves, not just written text. 

  • Magical properties of materials: 

Some megaliths, like the bluestones of Stonehenge, were transported over long distances, suggesting they were considered significant and possibly magical by the builders, according to National Geographic and Wikipedia

  • Ritualistic and healing purposes: 

Monuments like Stonehenge may have been used for healing and pilgrimage, with the stones themselves being the focus of the magical or spiritual power, says Wikipedia. 

  • Oral traditions: 

Before written language, many cultures passed down their beliefs and practices, including magic, through oral traditions, which would not be preserved on stone. 

  • Focus on astronomical alignment: 

Some researchers believe the monuments were used to advance societies through astronomical and agricultural purposes, like predicting seasons, which was a form of early “science” and magic combined, notes lylerussell.net.’

My 11th Q. –‘Is there any evidence that the advanced pre-Egyptian civilization who made the Granite Stone Boxes of the Serapeum at Saqqara believed in and practiced magic?’

AI – ‘There is no evidence that the pre-Egyptian civilization who built the Serapeum boxes believed in or practiced magic, and this is not the conclusion of mainstream researchers. The mainstream archaeological theory is that the site was a burial place for sacred Apis bulls, and that the boxes were sarcophagi for these bulls. Alternative theories regarding ancient advanced technology or lost civilizations do not support a magical belief system. 

  • Mainstream theory

The Serapeum was built as a burial site for Apis bulls, who were considered sacred in ancient Egypt. The massive granite boxes were elaborate sarcophagi for these bulls. 

  • Alternative theories

Some researchers theorize that the boxes were part of an ancient energy system or advanced technology, based on their precision craftsmanship and other mysterious features. However, even these theories do not suggest the existence of a magic-based belief system. 

  • Lack of evidence for magic

The theories about advanced technology, while speculative, focus on scientific or engineering concepts like electricity, pressure, and quartz crystals, not magic. There is no evidence to suggest that the builders of these boxes practiced magic.’

So, paradoxically, it appears that the people who made the Serapeum boxes did not believe in and practice magic.

Coincidentally, there are no Magic Spells inscribed inside the Great Pyramid at Giza or any other hieroglyphic inscriptions inside any of its chambers, which is why it was a puzzle to some.

Unlike later pyramids, it was built over 200 years before this practice began.

So, where did the first Magicians come from, and how did they acquire esoteric knowledge of Magic?

See also my previous blog – ‘Were the massive granite boxes, or Cyclopean Sarcophagi, at the Serapeum of Saqqara designed to be hermetically sealed?’

See also:

Archaeologists are working at this remote and almost inaccessible site. I am not sure when it was discovered, what it is called, or how old it is. The buildings and monuments include both Inca and Megalithic stones, so buildings and monuments existed on the site before the Incas. I assume that the Spanish Conquistadores must have visited the site, but do not yet know. What I can see from the images in these YouTube programmes are precisely measured stone features, which include stone lids that today would require a mechanical crane in order to move into position because of their weight in tons. However the site is located high-up in the Andes. None of the chambers/boxes below the lids bear any inscriptions or symbols. Some of the stone lids have been removed. The stone out of which the lids is made makes a ‘ringing’ noise. I have come accross this before in relation to Adam’s Calender in South Africa. Apparently this indicates a high crystaline content. That may be the reason why this site was chosen. Why? – remains a mystery. I assume that whoever built these monments was trying to protect something that was vital – possibly from a predicted catastrophe, e.g. a global flood?

I asked AI – ‘Can the pressure of CO2 gas inside a sealed box made out of stone create electrical charges if the boxes had quartz crystals.’

AI – ‘Yes, the pressure of CO2 gas on quartz crystals inside a sealed box could theoretically create electrical charges due to the piezoelectric effect. However, a continuous or significant electrical output is unlikely because the pressure needs to be dynamic or “changing” (like a sharp impact) rather than a constant, static force. While a brief, small voltage would be generated, it would stop once the pressure reaches a steady equilibrium, and the output would be limited to a high-voltage, low-current static charge. 

How it would happen

  • The piezoelectric effect: 

Certain crystals, including quartz, have an asymmetrical molecular structure that causes them to generate an electrical charge when mechanical stress is applied, as explained on Quora

  • Pressure from gas: 

The CO2 gas would exert pressure on the internal walls of the stone box and the quartz crystals within it. 

  • Charge generation: 

This pressure would deform the crystals, causing a separation of positive and negative charges within their structure, which creates a voltage. 

  • The limitation: 

The key issue is that the gas pressure would be constant. A static pressure will only generate a charge until it reaches a point of equilibrium. Once the crystals stop deforming, the electricity production will cease. To generate continuous electricity, there would need to be a continuous change in pressure, like a vibration or a constant mechanical force being applied and released. 

Why it’s not a practical power source

  • Low power output: 

The voltage produced is often accompanied by very little current, resulting in a weak electrical output with very low power. 

  • Only a brief pulse: 

A constant, static pressure will create only a single, brief electrical pulse. It’s not a continuous energy source like a battery or generator. 

  • Dynamic vs. static pressure: 

This is the fundamental limitation. The piezoelectric effect is effective for applications where there is a dynamic force (like a gas lighter’s hammer striking a crystal), not a static one.’

So, it is possible that the boxes carved out of rock on this site with stone lids on top, may have served some other purpose. 

‘Orientalism is a cognitive error in claims for the return of Cultural Heritage.’

So, far in the course of writing the 1st draft of my next book ‘Mediation of Cultural Heritage Disputes’, I have identified 2 types of widespread Cognitive Error by Museum Curators, Trustees, and their political masters:

·       Fallacy; and
·       Anachronism.

Today I discovered a 3rd – ‘Orientalism.’

I frequently encountered the arguments set out below in my research reading over the summer. What follows is an AI summary of the proposition:

‘Orientalism’ is a cognitive error that influences museum curators’ attitudes toward the repatriation of cultural heritage. Orientalism involves a patronizing Western view of Eastern cultures, portraying them as static and inferior, which can manifest as a reluctance to return artifacts, a belief that Western institutions are better custodians, or the framing of cultural items as belonging to a ‘universal’ history rather than a specific cultural one. This framework can lead to a failure to recognize the harm of colonial collection practices and an inability to fully grasp the cultural and political importance of repatriation for the communities of origin.

Orientalism fosters the idea that Western societies are more ‘rational’ and ‘developed’, leading some curators to believe that their museums are more capable of preserving, studying, and presenting artifacts than the country of origin.

The act of removing and displaying artifacts is inherently linked to colonial power. Orientalist thought frames this act not as theft, but as a legitimate collection of objects from ‘lesser’ cultures, making repatriation a politically and culturally charged issue that challenges the curator’s authority and the museum’s established power structure.

Curators who operate under an Orientalist mindset may continue to exhibit artifacts in ways that reinforce harmful stereotypes, such as portraying the ‘Orient’ as exotic, mystical, or barbaric. This can lead to the artifact being decontextualized and a failure to recognize the harm of its original dispossession.

Orientalism prioritizes a Western perspective, often at the expense of the lived experiences and cultural histories of the people from whom the artifacts were taken. This can result in a dismissive attitude towards repatriation claims and a failure to recognize the harm caused to the communities that have been dispossessed of their cultural heritage.

Instead of seeing repatriation as a matter of righting historical wrongs, Orientalist thinking can frame the issue as a matter of museums ‘hoarding’ artifacts, and repatriation efforts as a political problem. This can lead to a reluctance to engage in meaningful dialogue and a tendency to delay or deny repatriation requests.

I will integrate what I read over the summer with full citations as I develop this section of the book. The starting point of course is ‘Orientalism’ by Edward W. Said. See my comment below. When I was studying part-time at King’s College London, University of London, as an enrolled M.Phil/PhD student – which after 4 years I had to drop out of because of the full time pressures of running my own practice, this was one of the first books that my principal supervisor encouraged me to read. It altered my worldview

‘The Lost Pyramids of Tucume.’


AI – ‘The Lost Pyramids of Tucume” refers to the Túcume Archaeological Complex in northern Peru, a vast site of 26 mud-brick pyramids built by the Lambayeque civilization and later inhabited by the Chimú and Inca cultures. Often referred to as a “lost city” because of its former state of ruin, the site’s large adobe pyramids were heavily eroded over centuries, appearing as large, overgrown mounds rather than distinct pyramids today.  

What they are

  • A complex of 26 pyramids: 

The Túcume complex consists of 26 large, truncated pyramids made of adobe (mud-brick). 

  • An ancient ceremonial center: 

The site was a major ceremonial and administrative center for the Lambayeque (also known as the Sican) culture around 700-1000 AD, and later saw use by the Chimú and Inca cultures. 

  • An eroded landscape: 

Due to severe weathering over the years, the pyramids are now heavily eroded and have been described as looking like withered mounds rather than recognizable geometric pyramids. 

  • A significant archaeological find: 

Despite their weathered appearance, the site is considered a significant historical location. Archaeological activity continues there today. 

What to expect

  • A unique landscape: The site is a large complex of mounds and structures, often described as a “valley of the pyramids”. 
  • A historical and cultural experience: Visitors can explore the site, learn about the ancient cultures that built it, and see evidence of renovations by later civilizations like the Chimú and Inca. 
  • A visitor center and museum: There is a site museum that provides more information about the complex. 

How to see it

  • The Túcume Archaeological Complex is located in the Lambayeque region of northern Peru. 
  • It is located near the town of Túcume. 
  • The site is accessible by car, and tours are available from nearby cities like Chiclayo.’

The vast majority of archaeological sites in Central and South America remain undiscovered and unexcavated, particularly in the Amazon basin, where one recent study estimated over 10,000 large-scale sites are still hidden. While Mexico has over 37,000 recorded sites, only a small fraction of these have been made public, underscoring the immense task of discovery and excavation across the region. 

‘The Atlantis of the Sands.’

AI – ‘The Atlantis of the Sands” is the legendary Arabic name for a lost city, likely referring to Iram of the Pillars, also known as Ubar or Wabar, a prosperous trading settlement believed to have been buried by sand in the southern Arabian desert due to natural disaster or divine punishment. Its discovery via satellite in 1992 near the Rub’ al Khali desert (the Empty Quarter) and subsequent excavation at the site of Shisr in Oman confirmed its existence as a lost trading outpost, though its legendary status as a “city of immeasurable wealth” remains part of folklore. 

The Legend

  • Origins: 

The legend of a lost city in the Arabian desert, known as Iram or Ubar, has been passed down for centuries in Arabian folklore. 

  • Lost City: 

It was a prosperous city that vanished into the desert sands, a fate believed to be caused by its people’s arrogance. 

The name “Iram of the Pillars” refers to the city’s distinctive architecture, featuring pillars, often associated with its underground water system. 

The Discovery

  • Satellite Discovery: 

In 1992, satellite imagery, possibly using radar data, revealed ruins of a city in the Rub’ al Khali desert. 

  • Excavation at Shisr: 

Archeological work at the site of Shisr, in Oman’s Dhofar province, led to the excavation of a large ancient structure believed to be Ubar. 

  • Archeological Evidence: 

The ruins included parts of a fort, which had a sinkhole that caused half the fort to disappear, matching descriptions from ancient texts. 

The Reality

  • Trading Outpost: 

The discovered site appears to have been a remote desert outpost and a key assembly point for caravans transporting frankincense across the desert. 

  • “Atlantis of the Sands”: 

The term “Atlantis of the Sands” was popularized in the 20th century and is now widely used to describe this mythical lost city. 

  • Enduring Mystery: 

While the archaeological discovery confirmed the existence of a lost city, the legendary elements surrounding its immeasurable wealth and divine punishment continue to be part of the tale.’

See also:

‘The Atlantis of the Andes?’

Lake Titicaca is a large freshwater lake in the Andes mountains on the border of Bolivia and Peru. It is often called the highest navigable lake in the world.

I recently heard that there is evidence of an underwater lost city in Lake Titicaca. So I asked AI.

AI – ‘Yes, there is evidence of ancient underwater ruins in Lake Titicaca, likely from the Tiwanaku civilization, suggesting the existence of a lost city, though not one single, large city. Archaeological finds include a temple, stone walls, and a paved road near Copacabana, Bolivia. These discoveries align with local legends of a sunken city, and they indicate a larger ancient settlement existed before the area was flooded.  

Evidence of an underwater city

  • Archaeological discoveries: 

In 2000, an international team found a large temple (200m by 50m), an 800-meter retaining wall, and a paved road near the shore of Copacabana. 

  • Connection to Tiwanaku: 

Stone heads recovered from the site bear a strong resemblance to those found at Tiwanaku, a major pre-Inca civilization located on the lake’s shore. The underwater structures are theorized to be part of a Tiwanaku city that was submerged due to changes in the lake’s water levels. 

  • Cultural and religious significance: 

The area is sacred to the indigenous people, and artifacts like gold and ceramic offerings have been recovered from the site. The Ka Reef, for instance, is considered a sacred place of offerings. 

  • Ongoing exploration: 

The exploration and recovery of artifacts are ongoing, and a significant portion of the lake floor has yet to be explored, leaving potential for future discoveries. 

Legends and lore

A legend describes a lost city called Wanaku that was submerged in the lake. 

The discovery of these ruins has led to speculation that Lake Titicaca may be home to its own “Atlantis of the Andes”.’

‘Over 80% of potential archaeological sites remain unexcavated under the sands of Egypt.’


My 1st Q. to AI – ‘What percentage of Egypt’s ancient monuments remain undiscovered under the sand?’

AI – ‘While precise percentages vary, many experts believe less than 1% to around 30% of ancient Egypt has been excavated, with estimates suggesting that over 80% of its potential archaeological sites remain unexcavated under the sand. This means the vast majority of Egypt’s ancient treasures, artifacts, structures, and history are still waiting to be discovered. 

Estimates and Context

  • Less than 1% Excavated

Some Egyptologists, like Sarah Parcak, suggest that less than 1% of ancient Egypt has been explored, emphasizing how much remains buried. 

  • Around 30% Discovered

Other estimates indicate that only about 30% of ancient Egypt’s history has been uncovered, leaving the rest beneath the sands. 

  • Over 80% Unexcavated

The overall archaeological potential is so vast that over 80% of Egypt’s ancient sites are believed to be unexcavated, holding hidden wonders. 

Why So Much Remains Buried

  • Sheer Scale

The territory of ancient Egypt, including the Nile Valley, deserts, and oases, is vast, making comprehensive excavation a monumental task. 

  • Limits of Excavation

Modern archaeological techniques and resources have limitations that prevent the complete exploration of the country’s ancient legacy. 

  • Underground and Modern Cities

Many significant sites are now located under modern Egyptian cities or cemeteries, making them inaccessible for excavation. 

The Significance of Unexcavated Sites

  • Untold Stories

These hidden sites are teeming with artifacts, technologies, and untold stories that could fundamentally change our understanding of past civilizations. 

  • New Discoveries

Recent archaeological work, such as the discovery of lost cities or previously unknown tombs, highlights the constant potential for groundbreaking finds’. 

My 2nd Q. to AI – ‘So, how can archaeologists be certain about the chronological dating of ancient civilization in Egypt, when it is possible that evidence of the existence of earlier civilizations – i.e. monuments buried under the sand, are awaiting discovery in 80% of what today is the territory of modern Egypt?

(This includes excavations that have not yet been carried out in the Giza Necropolis – i.e. of tunnels and chambers).

AI – ‘Archaeologists date ancient Egyptian civilizations through multiple, interlocking methods, not solely on future excavations; these include the principle of stratigraphy where deeper layers are older, absolute dating techniques like radiocarbon dating, and analysis of artifacts and styles found across numerous excavated sites, which create a reliable relative chronology. Even though most of the country remains unexcavated, the data from already discovered sites provides a strong framework for understanding ancient Egypt’s timeline. 

Stratigraphy and Relative Chronology 

  • Law of Superposition: This principle states that in an undisturbed sequence of layers of earth (strata), the oldest layers are at the bottom and the youngest are at the top. By studying these layers, archaeologists can establish a relative chronological order for the artifacts and features found within them.

Absolute Dating Techniques

  • Radiocarbon (C-14) Dating: This method analyzes the amount of the radioactive isotope Carbon-14 in organic materials (like wood, bone, or charcoal) to determine their age. When an organism dies, it stops absorbing C-14, and the amount of the isotope in its remains begins to decay at a known rate, allowing scientists to calculate how long ago it died. 
  • Other Methods: For dating older sites that predate the range of radiocarbon dating, other radioactive decay methods are used, such as potassium-argon dating, which analyzes radioactive elements in volcanic deposits. 

Artifact Analysis and Contextual Clues 

  • Artifact Styles: The evolution of art, pottery, and other tools helps build a chronological framework. Distinct styles and manufacturing techniques are assigned to different periods, providing a timeline for the development of material culture.
  • Context: Artifacts found together within the same stratigraphic layer provide crucial contextual clues, indicating that they belong to the same time period.

Understanding the Landscape

  • Predictive Models: Archaeologists use predictive models based on existing knowledge of settlement patterns to identify potential areas of interest, even if they have not yet been excavated. 
  • Aerial and Geophysical Surveys: Techniques like aerial photography and geophysical surveys can reveal buried sites and structures, providing further clues about the extent and distribution of ancient settlements, according to Wessex Archaeology.’

My 3rd Q. – ‘Is it possible that the conventional framework for understanding Egypt’s historical timeline is wrong?’

AI – ‘While the overall framework of the conventional Egyptian chronology has been stable for over a century, particularly for the Middle and New Kingdoms, there are ongoing discussions and challenges to specific periods, though no consensus rejects the conventional timeline wholesale. Some scholars, particularly those attempting to synchronize Egyptian timelines with the Biblical timeline, have proposed revisions, suggesting some biblical events may have happened earlier than commonly believed, but these are not widely accepted by mainstream Egyptology. 

What is the conventional framework? 

  • Stable for centuries: 

The general structure of the standard Egyptian chronology has remained consistent for over 100 years.

  • Stable periods: 

The chronology for the Middle and New Kingdoms has been particularly stable, with fluctuations only in the tens of years.

  • Fluctuations in the Old Kingdom: 

The Old Kingdom timeline allows for some variance, potentially a few centuries.

Are there challenges or alternative perspectives? 

  • Biblical Synchronization: 

Some researchers, such as David Rohl, suggest the standard Egyptian chronology may be stretched and that biblical events could have occurred further back in history than is commonly believed.

  • Anachronism concerns: 

The idea is that certain aspects of the established timeline may be anachronistic, meaning they place events, places, or people in a period where they did not belong.

  • Disagreement with mainstream view: 

While these challenges exist, the scholarly consensus on the mainstream Egyptian timeline remains firm, particularly for the Middle and New Kingdoms.

In summary:

The conventional framework for understanding ancient Egypt’s timeline is not considered wrong by most experts. However, alternative theories, particularly those seeking to align the Egyptian timeline with the Bible, propose revisions to specific periods, though these ideas are not part of the mainstream understanding of Egyptian chronology.’

AI also commented – ‘There is a fringe theory, discussed by publications like Carl’s Mediation Blog and Answers Research Journal, that the conventional framework for ancient Egypt’s timeline is wrong, proposing that the timeline is compressed or incorrect by centuries or millennia. These alternative chronologies often attempt to align the Egyptian timeline with biblical chronologies or other ancient histories by suggesting that certain dynasties may have been contemporary rather than strictly sequential. However, these are not accepted mainstream views in Egyptology, which generally follows the established framework based on archaeological evidence and Manetho’s king lists. 

Arguments for a Different Chronology

  • Inconsistencies with Other Histories: 

Some proponents argue that the conventional Egyptian timeline, primarily based on Manetho’s list of dynasties, is inconsistent with evidence from other ancient civilizations like Assyria, the Hittites, and the history of the Bible. 

  • Contemporary Dynasties: 

Revisions to the traditional chronology suggest that some dynasties, previously thought to be sequential, may have actually been contemporary (existing at the same time). 

  • Biblical Alignment: 

A primary goal for some alternative chronologies is to synchronize the Egyptian timeline with biblical history, as the current framework often leads to conflicts and confusion when trying to align the two. 

Mainstream Perspective

  • Established Framework: 

The conventional chronology is based on a sequential interpretation of Manetho’s 31 dynasties, supported by a vast body of archaeological and textual evidence. 

  • Ongoing Refinement: 

While the fundamental framework is accepted, the chronology is continually refined with new discoveries and improved understandings of the evidence, which can lead to revisions, but not wholesale rejection of the framework itself. 

  • Limited Scope of Alternatives: 

The alternative chronologies you’ve encountered are considered fringe theories and are not accepted by the majority of professional Egyptologists or historians.’

Manetho’s king lists are ancient Egyptian dynastic lists, not a single text but surviving in versions by later historians like Africanus and Eusebius, that organized pharaohs into dynasties based on a priest-historian’s work. These lists, though invaluable, are fragmentary, have inconsistencies, and contain names that differ from other Egyptian king lists, making absolute chronological dating challenging.  

What I am wondering however, is what if the Dynastic Egyptians were not the first, and therefore the oldest, advanced civilization to have lived in the Nile Delta and surrounding hinterland in furthest antiquity?

My Q. – ‘Who was the historian known as Africanus?’

AI – ‘The most common historians referred to as “Africanus” are Sextus Julius Africanus (late 2nd-early 3rd century AD), a Christian chronologist and historian of the Roman Empire, and Johannes Leo the African (c. 1494–c. 1554), a Moorish diplomat, traveler, and writer known for his book Description of Africa. 

Sextus Julius Africanus 

  • Who he was: A Christian historian who incorporated and synchronized Egyptian and Chaldaean chronologies with the Bible, Greek mythology, and Judaic history.
  • His work: His work, titled Chronographia (or History), is significant for placing early Christianity within a historical context and influenced later Church historians like Eusebius.
  • When he lived: He was active in the late 2nd and early 3rd centuries AD.

Johannes Leo the African

  • Who he was: A Moroccan-born Andalusian diplomat, traveler, and writer who converted from Islam to Christianity. 
  • His work: He is famous for his book Descrittione dell’Africa (Description of Africa), which provided Europeans with detailed information about the geography of the Maghreb and the Nile Valley, including Timbuktu
  • When he lived: He was born around 1494 and died around 1554.’ 

My Q. – ‘Who was the historian known as Eusebius.’

AI – ‘Eusebius, known as Eusebius of Caesarea (c. 260–339 AD), was a 4th-century Christian bishop, exegete, and historian, renowned as the “Father of Church History” for his seminal work, the Ecclesiastical History. His writings provide a comprehensive account of early Christianity’s first centuries, chronicling its history, persecutions, and the significant transformation under Emperor Constantine the Great.  

Key Aspects of Eusebius’s Life and Work:

  • Bishop of Caesarea: 

Eusebius was the bishop of Caesarea Maritima, a city in what is now Israel, around AD 314. 

The name “Pamphilius” was likely added to his name to honor his teacher, Pamphilus of Caesarea, a wealthy presbyter who dedicated his wealth to preserving the legacy of Origen, a prominent theologian. 

  • Pioneering Historian: 

Eusebius was the first Christian writer to incorporate a literary-historical approach into his works, making his histories unique and foundational for the field. 

His most famous work, Ecclesiastical History, is a landmark in Christian historiography, documenting the early Church, its persecutions, and the lives of its leaders. 

  • Preservation of Sources: 

In his Ecclesiastical History, Eusebius consistently quotes or paraphrases his sources and preserves portions of earlier works that are now lost, making his writings invaluable for later historians. 

  • Relationship with Constantine: 

Eusebius enjoyed a close relationship with Emperor Constantine the Great, serving as a spiritual advisor and documenting the emperor’s life and his significant role in transforming the Roman Empire from a persecutor to a protector of Christianity. 

  • Other Works: 

Besides the Ecclesiastical History, Eusebius also wrote The Chronicle, a world history, and The Life of Constantine, among other works on biblical exegesis and theology.’ 

Why were Ancient Egyptian magic wands shaped like boomerangs?

AI – ‘Ancient Egyptian magic wands were shaped like boomerangs because they were derived from throwing sticks, a real-life hunting tool used for shooting birds. While these curved hunting tools are sometimes called boomerangs, they were primarily designed to fly in a straight path to hunt waterfowl. The magical, apotropaic wands were carved from hippopotamus ivory to symbolize the beast’s protective power against evil forces. They were used for apotropaic magic, which means warding off evil, and were especially associated with protecting women and children during birth and early childhood.  Origin of the Wand’s Shape 

  • Hunting Tool: The shape of the wand is based on a real-life hunting weapon called a throwing stick or non-returning boomerang.
  • Straight-Line Flight: These throwing sticks were designed to fly in a straight path, allowing hunters to shoot birds along the Nile.
  • Symbolism: The curved shape of the throwing stick, and later the wand, likely served as a visual reminder of this hunting practice.

Symbolic Significance

  • Hippopotamus Ivory: The wands were typically made from hippopotamus ivory. This is significant because hippos were considered dangerous and powerful creatures, and their ivory symbolically harnessed this power to fight evil. 
  • Protective Deities: The wands were often engraved with images of protective deities, such as Taweret (the hippopotamus goddess of childbirth) and the demon Bes
  • Warding off Evil: The combination of the hippopotamus ivory, which enlisted the beast’s support, and the engraved deities, was meant to ward off evil and chaos. 

Uses of the Wands

  • Protection in Birth: Many wands were used during childbirth and early childhood, a period when people were most vulnerable to evil forces. 
  • Amuletic Function: The wands could be worn as protective amulets or used to create magical shields and draw protective circles around a woman giving birth. 
  • Protection in the Afterlife: Apotropaic wands were also placed in tombs to protect the deceased and ensure their rebirth in the afterlife.’

‘Were the massive granite boxes, or Cyclopean Sarcophagi, at the Serapeum of Saqqara designed to be hermetically sealed?’

When I woke up this morning I was wondering whether the ancient granite boxes at the Serapeum of Saqqara in Egypt, were designed to be Hermetically sealed.

So, that was my 1st Q. to Google AI today.

The boxes were found in corridors at a depth of approximately 17 meters (56 feet) below the surface of the Saqqara plateau, in a vast underground complex with tunnels extending up to 400 meters (1,312 feet) long and rooms that are 9 to 11 meters (29.5 to 36 feet) long. 

Each box was cut out of a massive single piece of granite, and weighs between 60 to 100 tons, with individual sarcophagi weighing approximately 70 tons and lids around 30 tons. 

The high precision, the lack of visible tool marks, and the absence of obvious machinery to move such heavy objects contribute to the enduring mystery of their construction. 

The boxes fit precisely into the chambers, with the corridors providing just enough clearance for their transport and placement. The extreme fit of the 80-100 ton boxes within the confined spaces is considered one of the many mysteries of the Serapeum.

The limited space between the boxes and the tunnel walls presents a puzzle, as it’s unclear how such massive objects could have been brought through these confined passages.

Although the Serapeum is believed to have been intended for the burial of sacred Apis bulls, the massive granite sarcophagi that were supposed to contain them were discovered to be completely empty. 

Sacred Apis bulls were considered earthly incarnations of the Egyptian god Ptah, and after death, they were believed to become Osiris-Apis. 

So, if the remains of sacred Apis bulls had been placed by priests inside these boxes before the lids were hemetically sealed, then why was nothing found? i.e. were did the mumified remains – including of course the skeletons of these sacred animals go?

Note that in reply to Q. 6, AI stated – ‘The precision of the boxes and tunnels suggests construction by a sophisticated, possibly non-Egyptian, culture, with the site being modified and reused by later Dynastic Egyptians.’

So, it appears that the granite boxes and tunnels were not conceived of, designed and built by the Ancient Egyptians, but by an earlier lost and forgotten civilization far back in antiquity, i.e. in pre-history, whose existence and historical memory may have been almost completely obliterated by e.g. a natural calamity, such as climate change/floods.

If that is correct, then the Serapeum at Saqqara is a surviving legacy to mankind of the achievements of their highly advanced civilization.

In which case, logically, unless that lost civilization revered Apis Bulls as sacred animals, the Granite Boxes of the Serapeum could not have been built in order to contain the mummified remains of scared bulls.

So, what purpose were the boxes precision engineered to serve?

AI replied –

‘Yes, the massive granite boxes, or Cyclopean Sarcophagi, at the Serapeum of Saqqara were designed with extreme precision, achieving a tolerance of just one micron, which ensured that their lids created a hermetic or airtight seal. This level of craftsmanship, rivaling modern machining, was used to create a sealed environment, though the precise function of this sealed environment remains a subject of mystery and debate among historians and archaeologists.  

Details of the Sarcophagi

  • Construction: 

The sarcophagi are massive, weighing approximately 50 tons without the lids, which add another 30 tons. 

  • Precision: 

The extreme accuracy of their construction, down to one micron, allowed for the lids to fit with remarkable tightness. 

  • Material: 

They were carved from granite, a hard stone, demonstrating an advanced level of engineering skill for the ancient Egyptians. 

The Purpose of the Seal

  • Airtight Interior: The precision of the cuts ensured that no oxygen could escape or enter. 
  • Mystery of Function: While the precise intention for this hermetic sealing is not fully understood, theories suggest it could relate to maintaining pressure or creating a unique storage environment for whatever was placed inside. 

Lingering Questions 

  • Manufacturing Methods: 

The methods used to achieve such high precision with ancient tools remain a captivating mystery.

  • Function of the Seal: 

The purpose of the airtight seals is a subject of continued scholarly discussion, adding to the overall enigma of the Serapeum.’

My 2nd Q. – ‘What is the purpose of hermetic sealing?’

AI – ‘The primary purpose of hermetic sealing is to create a completely airtight barrier that prevents the ingress or egress of gases, liquids, and contaminants, thereby protecting products and components from external factors like moisture, dust, and air. This protection ensures product safety, enhances performance, and extends shelf life in applications ranging from food packaging to advanced electronics and medical devices.  

Key purposes and benefits

  • Protection from the environment

Hermetic seals protect sensitive items from moisture, oxygen, dust, and other airborne contaminants that can cause degradation, corrosion, or failure. 

  • Prevention of leakage

The seal prevents the contents of a container (whether solid, liquid, or gas) from leaking out, ensuring the integrity of the product or system. 

  • Extended shelf life

For products like food, hermetic packaging helps maintain freshness and prevents spoilage, reducing waste and improving customer satisfaction. 

  • Improved performance and reliability

In electronic and medical devices, hermetic seals maintain the internal environment, ensuring that sensitive components and circuits function reliably and safely. 

  • Safety in critical applications

In healthcare and aerospace, hermetic seals are crucial for preventing leaks of potentially harmful substances or protecting critical equipment from harsh conditions like temperature extremes and radiation. 

  • Preservation of internal environments

The process can also maintain specific internal conditions, such as the pressure or atmosphere, within a sealed enclosure. 

Common applications

  • Electronics

Protecting sensitive circuits, sensors, and power supplies from humidity, dust, and other environmental factors. 

  • Medical Devices

Encapsulating implantable devices and sensitive equipment to prevent contamination and ensure patient safety. 

  • Food Packaging

Extending the shelf life of packaged foods, from fresh produce to desserts, by preventing oxygen and moisture from entering. 

  • Aerospace and Military

Shielding critical components from extreme temperatures, vibrations, and the vacuum of space to ensure system reliability.’

My 3rd Q. – ‘What is the origin of the phrase Hermetically Sealed?’

AI – ‘The phrase “hermetically sealed” originates from the ancient practice of alchemy and is named after Hermes Trismegistus, a legendary figure believed to have invented the “secret seal” for making glass tubes airtight during their experiments. Alchemists, inspired by the wisdom attributed to Hermes Trismegistus, would heat and fuse the necks of glass vessels to create an airtight seal, a process essential for techniques like distillation and for preserving materials like the mythical Philosopher’s Stone. 

Origin and Connection to Hermes

He was a legendary figure combining the Greek god Hermes with the Egyptian god Thoth, and he was the central figure in the tradition of Hermeticism

  • Alchemical Practice: 

Alchemists believed that Hermes Trismegistus was a master of secret arts, including a method to create a perfectly airtight seal using a special technique. 

  • Sealing Vessels: 

To perform their experiments, such as changing matter from one form to another, alchemists needed sealed containers. The process of sealing a vessel by fusing its neck closed was a “secret seal” and was attributed to Hermes. 

  • The “Hermetic Seal”: 

This technique was known as the “Seal of Hermes” or “hermetic seal”. 

Meaning of “Hermetically Sealed”

  • The term “hermetic” was applied to this method of sealing in the early 17th century. 
  • “Hermetically sealed” then came to mean “completely sealed” or “airtight,” referring to the complete and perfect closure achieved through this method. 

My 4th Q. – ‘Is it possible using sound waves and frequency inside a hermetically sealed box to transform what is inside?’

AI – ‘Yes, sound waves in a hermetically sealed box can transform the contents by transferring energy and applying forces, allowing for manipulation of objects via acoustic levitation, or even breaking apart molecular bonds at high enough frequencies. A well-sealed box can both contain sound waves and protect what is inside from external vibrations, but internal sound will still interact with and cause changes to the objects and the air within it.  

How Sound Transforms Contents

Sound waves can be used to generate standing waves that exert forces on objects, allowing them to be suspended in the air without physical contact. This process can move and manipulate small objects, even influencing the course of chemical reactions. 

Sound waves are vibrations that carry energy. While typically associated with pressure waves in a fluid medium, intense or specific sound frequencies can deliver enough energy to affect matter at a molecular level. High-frequency sound waves could potentially cause molecules to vibrate with enough energy to break bonds. 

  • Energy Transfer: 

Sound energy will inevitably interact with the materials inside a sealed box. It will cause the walls of the box and any objects within to vibrate, leading to energy transfer from the sound to these objects and eventually into heat, according to Quora users

Limitations and Considerations

  • Energy Loss: 

Even with a sealed box, sound waves lose energy over time due to friction within the medium (like air) and absorption by the walls. 

  • Frequency Dependency: 

The type and intensity of transformation depend on the frequency and amplitude of the sound waves. 

  • Interference: 

Complex sounds are made of many frequencies, which can interfere with each other, and this interference can also affect the sound waves and their impact within the box.’

My 5th Q. – ‘Can extremely high-frequency ultrasound cause cavitation and damage, i.e. a physical disintegrating effect?’

AI – ‘Yes, extremely high-frequency ultrasound, particularly at high intensities, can cause cavitation and significant mechanical damage, such as a physical disintegrating effect on tissues. The intense pressure of collapsing bubbles from acoustic cavitation can generate powerful shockwaves, high-speed liquid jets, and intense localized heating, all of which can physically shred tissues and even cause molecular dissociation. 

How Ultrasound Causes Cavitation and Disintegration:

  1. Acoustic Cavitation: 

High-intensity ultrasound creates regions of high and low pressure in a liquid. In the low-pressure (rarefaction) phases, dissolved gas can be drawn out of the solution, forming bubbles. 

  • Bubble Collapse: 

These bubbles oscillate and then violently collapse (implode) due to the high-pressure (compression) phases of the sound wave. 

  • Physical Effects: 

The implosion of these bubbles is a highly energetic event that produces several physical phenomena capable of causing disintegration:

  • Shockwaves: The collapsing bubbles can generate powerful shockwaves with immense pressure, which can fragment tissue. 
    • Liquid Jets: If the bubble collapses near a surface or another bubble, high-speed liquid jets can form, delivering powerful, localized impacts. 
    • Mechanical Trauma: The combination of shockwaves, micro-jets, and turbulent flow around the collapsing bubbles leads to significant mechanical trauma and a disintegrating effect on the surrounding material. 

Applications and Effects:

  • Therapeutic Applications: 

This high-intensity focused ultrasound (HIFU) technology is used to break up kidney stones (lithotripsy) and fragment soft tissues in some medical therapies. 

  • Nanomaterial and Cell Manipulation: 

The physical and chemical effects of cavitation are also used to create novel nanomaterials and to permeabilize cells for drug delivery and other biomedical applications.’ 

My 6th Q. – ‘Is there  physical evidence that the superstructure of the Serapeum at Saqqara built around the granite boxes inside?’

AI – ‘No, physical evidence does not support the theory of a superstructure built around the granite boxes at the Serapeum of Saqqara; rather, the entire complex, including the boxes and chambers, was carved directly from the bedrock as an underground structure. The precision of the boxes and tunnels suggests construction by a sophisticated, possibly non-Egyptian, culture, with the site being modified and reused by later Dynastic Egyptians.  

The Serapeum’s Construction

  • Underground Origin: 

The Serapeum is an extensive underground complex, where the chambers were carved out of the rock rather than built on the surface. 

  • Sophisticated Engineering: 

The enormous granite boxes and the complex tunnel system display a level of precision and engineering that challenges conventional understanding of the period, according to Facebook posts and Reddit threads. 

  • Mysterious Techniques: 

The smooth surfaces and precise 90-degree angles of the boxes suggest advanced carving and polishing techniques, with no evidence of conventional methods like sleds or pulleys. 

Evidence of Re-Use and Modification

  • Lack of Initial Construction Evidence: 

The construction of the chambers and the placement of the boxes could not have been done with conventional surface methods. 

  • Later Egyptian Modifications: 

The complex shows evidence of renovation and reuse during the Dynastic Egyptian period, indicating later cultures modified an older, pre-existing structure. 

  • Dating and Inscriptions: 

Inscriptions found in some areas date to the 26th Dynasty, centuries after the site’s earliest known use, suggesting a later culture tried to explain or claim the older structures, notes a Reddit post

Conclusion

The physical evidence points to the Serapeum as an ancient underground excavation site where the boxes were carved directly into the rock. Any idea of a surface superstructure built around these boxes is not supported by the archaeological evidence.’

My 7th Q. – ‘Can particle movement in a body inside a hermetically sealed granite box be transformed using sound waves and frequency?’

AI – ‘Yes, sound waves and frequency can transform particle movement within a hermetically sealed granite box by inducing vibrations, creating forces, and manipulating objects, a phenomenon known as acoustic manipulation or acoustic levitation. The sound energy, passed through the granite and into the body, causes its constituent particles to vibrate, and the frequency of these vibrations can be tailored to specific purposes, such as moving particles, separating them, or even suspending them in place. 

How it works

  1. Sound as Vibration

Sound is a wave of vibrations that travel through a medium, causing its particles to vibrate. 

  • Transmission through Solids

Sound travels well through solids, making the granite box a suitable medium for transmitting sound waves. 

  • Acoustic Manipulation

When sound waves reach a body, they apply pressure and exert forces on its particles, causing them to move. 

  • Frequency Control

Different frequencies of sound have different effects. By controlling the frequency, you can:

  • Induce Vibration: Cause particles to vibrate, which is the fundamental way sound moves through matter. 
    • Create Standing Waves: High-frequency (ultrasonic) sound can create standing waves with nodes where particles accumulate or are suspended. 
    • Apply Directional Forces: Specially shaped sound waves can push and pull particles along precise paths. 
  • Application in a Box

A sound source outside the sealed granite box can transmit sound waves through the granite into the body inside. This sound would vibrate the body’s particles, enabling movement and other manipulations.’ 

My 8th Q. – ‘Are scientists researching quantum teleportation and how sound can tunnel or transmit across a vacuum using piezoelectric crystals and their associated electric fields?’

AI – ‘Yes, scientists are researching both quantum teleportation and the transmission of sound across a vacuum using piezoelectric crystals, but these are two distinct phenomena. Research has shown that sound can indeed “tunnel” across a vacuum using piezoelectric crystals, where the sound wave’s vibrations are converted to an electric field, travel through the vacuum, and then are converted back to sound. Simultaneously, quantum teleportation is an active area of research, involving the transfer of quantum information from one location to another. 

Quantum Teleportation

  • What it is: 

Quantum teleportation is the process of transferring a quantum state from one location to another without physically moving the particle itself. 

  • How it works: 

It involves the destruction of the original quantum state and the recreation of an identical state at a new location using quantum entanglement. 

  • Research focus: 

Scientists are working to make quantum teleportation more efficient and reliable, with applications ranging from quantum computing to creating secure quantum communication networks. 

Sound Tunnelling Through a Vacuum

  • What it is: 

This refers to the phenomenon where a sound wave’s energy can be transmitted across a vacuum gap between two piezoelectric materials. 

  • How it works:
    • Piezoelectric effect: Sound vibrations in a piezoelectric crystal create an electrical response. 
    • Electric field in vacuum: Since an electric field can exist in a vacuum, this electrical response can propagate across the vacuum gap. 
    • Conversion back to sound: At the other piezoelectric crystal, the electric field is converted back into mechanical vibrations, effectively creating the sound wave. 
  • Research focus: 

This area of research explores the potential for manipulating and transmitting acoustic waves and vibrations without physical contact, with applications in microelectromechanical components, smartphone technology, and heat control.’

My 9th Q. – ‘For scientists researching the teleportation process, in order to conduct an experiment  in an environment that is isolated from noise and external disturbances could a granite box located deep underground be used?’

AI – ‘Yes, a deep underground granite box could be a valuable component of an experiment to isolate a quantum teleportation system from noise and external disturbances, though the overall effectiveness depends on other factors. Placing the experiment deep underground reduces noise from sources like electromagnetic interference and seismic activity, and a granite enclosure would provide further physical shielding. However, the primary challenges are the inherent quantum noise from the environment itself, which can be addressed through techniques like hybrid entanglement. 

Benefits of a Deep Underground Granite Enclosure 

  • Reduced Electromagnetic Interference: 

Being deep underground shields the experiment from external electromagnetic fields, a common source of noise in quantum systems.

  • Vibration Isolation: 

Underground locations typically experience less seismic and mechanical vibration than surface facilities, which can disturb quantum states.

  • Physical Shielding: 

A granite box offers a dense, inert material to further contain and shield the sensitive quantum equipment from external influences.

Limitations and Other Considerations

  • Inherent Quantum Noise: 

Even in a well-shielded environment, the qubits involved in quantum teleportation can be affected by their own local environments and interactions, a phenomenon known as quantum noise. 

  • Environmental Interaction: 

The environment’s interaction with the open quantum system can cause energy relaxation and dephasing, which are detrimental to the quality of teleportation. 

  • Addressing Quantum Noise: 

Researchers are developing new methods to mitigate or even control this type of noise, such as using “multipartite hybrid entanglement” to entangle qubits with their local environments in a controlled manner. 

  • Other Factors: 

For the success of a quantum teleportation experiment, the quality of the entangled resources, the stability of the devices, and the precision of the measurement and control systems are also crucial.’

My 10th Q. – ‘Can a significant quartz content inside a granite and diorite box make minerals piezoelectric, thereby converting mechanical stress into electricity?’

AI – ‘Yes, a granite or diorite box with significant quartz content can become piezoelectric, allowing its quartz crystals to convert mechanical stress into electricity. This effect occurs because quartz is a piezoelectric mineral, and when a large number of these grains are present, they can form a “piezoelectric fabric” within the rock. Applying a dynamic mechanical stress, such as vibration or pressure, causes the displaced charges within the quartz crystals to generate a measurable electrical charge and voltage. 

How it Works

  1. Piezoelectric Minerals: 

Quartz is a naturally piezoelectric mineral, meaning it generates an electrical charge when subjected to mechanical stress. 

  • Rock Structure: 

When quartz grains are sufficiently abundant and suitably aligned within the granite or diorite, they form a piezoelectric fabric throughout the rock. 

  • Mechanical Stress: 

Applying a dynamic force, like vibration, pressure, or even seismic activity, to the quartz-rich rock causes the crystal lattice of the quartz to deform. 

  • Charge Displacement: 

This deformation leads to the displacement of electric charges within the quartz crystals. 

  • Electricity Generation: 

The displaced charges create a net polarization and generate a voltage across the material, resulting in an electrical discharge. 

Factors Influencing the Effect

  • Quartz Content: 

A higher concentration of quartz generally leads to a stronger piezoelectric effect. 

  • Grain Alignment: 

A preferred orientation of the piezoelectric grains, known as a piezoelectric fabric, can significantly enhance the overall effect. 

  • Type of Stress: 

The stress must be dynamic and changing to generate electricity. 

  • Type of Rock: 

While granite is known to be piezoelectric due to its quartz content, rocks lacking free quartz, such as marble or basalt, do not exhibit significant piezoelectric effects. 

Potential Applications

  • Energy Harvesting: Research is ongoing to harness this property for energy generation. 
  • Geothermal Systems: Combining piezoelectric and geothermal properties in stones could lead to new renewable energy systems. 
  • Biomedical Engineering: Piezoelectric materials are used in biomedical applications to promote tissue repair by generating electrical signals in response to mechanical stress.’ 

My 11th Q. – ‘Are any of the boxes inside the Serapeum at Saqqara made of granite and diorite?’

AI – ‘Yes, many of the massive boxes, which were used as sarcophagi for the Apis bulls, are made of granite and some are made of diorite. These were some of the largest and hardest stones available, quarried from remote locations like Aswan for the granite.  

Specifics about the materials

  • Granite: 

Many of the sarcophagi are made from Aswan granite, a very hard, durable stone. 

  • Diorite: 

Some of the boxes are also made from diorite, a stone even harder than granite and quarried from even more distant locations. 

Significance of these materials

  • Scale and Precision: 

The use of these incredibly hard stones, quarried and transported over vast distances, highlights the advanced engineering and monumental effort involved in the Serapeum’s construction. 

  • Mysterious Origins: 

The sheer scale and precision of these monolithic structures, crafted from such difficult materials, continue to be a source of mystery and debate for Egyptologists and researchers.’

My 12th Q. –  ‘Does any ancient text discuss teleportation?

AI – ‘Yes, many ancient texts, particularly within Hinduism, Buddhism, and the Abrahamic traditions, describe instances of instant travel or teleportation as a supernatural ability or a divine act, rather than a technological feat. In Hinduism, sages and deities like Narada Muni are depicted as possessing the power of siddhi, or spiritual powers, allowing them to traverse vast distances instantly. Similarly, Buddhist scriptures mention abhijñā, or supernatural powers, including teleportation. In the Abrahamic traditions, figures like Philip in the Book of Acts are described as being miraculously “caught up” by the Holy Spirit and transported to another location. 

Hindu Texts

Ancient Indian texts, such as the UpanishadsVedas, and Puranas, describe yogis and rishis (sages) who can achieve siddhis, which include the power to teleport or travel through space and time. 

  • Divine Beings: 

Deities such as Narada Muni are portrayed as celestial messengers capable of appearing anywhere in the universe by their own willpower. 

The foundational text of yoga, the Yoga Sutras, describes techniques for developing such powers, including the ability to “flow into any frequency” to travel to different realms. 

Buddhist Texts

In Buddhism, teleportation is listed as one of the abhijñā, or supernatural powers, that enlightened beings can attain through deep insight into the nature of reality. 

Legends tell of the Buddha possessing the ability to teleport, with one tale describing him appearing on the other side of a raging river instantly. 

Abrahamic Texts

  • Divine Intervention: 

Teleportation-like events occur in biblical accounts as acts of divine intervention. 

In the Book of Acts, the prophet Philip is said to have been “caught up” by the Spirit and transported from one place to another, appearing in a distant town to baptize an Ethiopian official. 

The prophet Elijah is described as being “carried” by the Spirit of the Lord to an unknown location. 

In essence, while modern definitions of teleportation involve technology, these ancient texts describe it as a spiritual or divine ability, a manifestation of manipulating consciousness and reality beyond conventional physical limits.’

My 13th Q. – ‘What advances and breakthroughs have been achieved by scientists researching teleportation in the UK?’

AI – ‘UK scientists at the University of Oxford achieved a major breakthrough in February 2025, demonstrating the teleportation of a quantum logic gate between two separate quantum processors, a world-first that links them into a single, interconnected quantum computer. This advancement, which uses available technology, is a significant step toward building scalable quantum computers and a future quantum internet, rather than teleporting physical matter. 

Key Breakthrough:

  • Quantum Gate Teleportation: 

The Oxford team successfully “teleported” a fundamental two-qubit quantum gate across a two-meter optical fiber, linking two distinct quantum computing modules. 

  • Creating a Distributed Quantum Computer: 

This process effectively merges the separate processors into one fully-connected quantum computer, overcoming a major challenge in scaling quantum systems. 

Significance and Applications:

The ability to link distant quantum processors addresses the critical need for scalability in quantum computing, bringing large-scale practical applications closer to reality. 

This breakthrough lays the groundwork for a future quantum internet, an ultra-secure network for secure communication, advanced computation, and sophisticated sensing. 

  • Deterministic Interactions: 

A crucial aspect of the research is the ability to perform these interactions deterministically, meaning they are highly reliable and less prone to failure, which is vital for complex quantum computations. 

How it Works: 

  • Quantum Entanglement: 

The research builds on the principles of quantum entanglement, the strange connection between particles across vast distances.

  • Information, Not Matter: 

It’s important to note that this is not the teleportation of physical objects or people, but rather the transmission of quantum information. The process involves transferring the quantum state (the “information”) of a particle between physically separated systems.

Context:

  • World First: 

The Oxford team’s work is the first demonstration of quantum teleportation of logical gates across a network link. 

  • Real-World Technology: 

The experiment was conducted using technology that is already available, demonstrating that network-distributed quantum information processing is feasible with current tools.’

My 14th Q. – ‘What advances and breakthroughs have been achieved by scientists researching teleportation in Japan?’

AI – ‘Japanese scientists have advanced quantum teleportation through work at Yokohama National University, teleporting quantum information into a diamond’s lattice, and by using microsatellites for quantum communication. Their breakthroughs are crucial steps toward quantum networks and a future “quantum internet” for secure, powerful computing and communications. 

Quantum Information in a Diamond

  • What: 

Researchers at Yokohama National University successfully teleported quantum information into the crystal structure of a diamond. 

  • How: 

They focused on quantum defects within the diamond’s lattice—vacancies where a nitrogen atom replaces a carbon atom—and used a “hybrid technique” to transmit the quantum information. 

  • Significance: 

This achievement demonstrated a way to transfer quantum information into an otherwise inaccessible space and into a quantum memory without disturbing it, which is vital for quantum information technology. 

Quantum Communication with Microsatellites 

  • What: 

Japanese physicists were the first to use a microsatellite for quantum communications.

  • Significance: 

This development suggests that practical satellite-based quantum communications could become a reality, potentially paving the way for space-based quantum networks.

Broader Impact

  • Quantum Internet: 

These advances are considered key to building a future quantum internet that would connect quantum computers and enable unprecedented communication security. 

Teleportation plays a vital role in distributing entanglement, which is essential for scaling up quantum computers and performing complex calculations. 

  • Quantum Cryptography: 

The ability to teleport quantum states reliably contributes to the development of uncrackable security protocols for information’. 

My 16th Q. – ‘Can Teleportation be used to create a device in which to store information?’

AI – ‘Yes, quantum teleportation can be used to create and scale devices for information storage, particularly for building a distributed quantum computing network and a quantum internet. Instead of transmitting matter, quantum teleportation transfers quantum information using quantum entanglement and classical communication, enabling the connection of separate quantum processors to form larger, more powerful machines. How it works:

  1. Quantum Entanglement: Two particles become “entangled,” meaning they are linked and share the same state, no matter the distance between them. 
  2. Information Transfer: A quantum message (a qubit) is entangled with one of the entangled particles. 
  3. Classical Communication: A measurement is performed on the original message qubit and the entangled qubit. 
  4. Reconstruction: The results of this measurement, which are classical bits (0s and 1s), are sent via a traditional channel to the location of the other entangled particle. 
  5. Decoding: The receiving party uses these classical bits to perform an operation on their entangled qubit, effectively reconstructing the original quantum information at a distance. 

Applications for information storage devices:

  • Distributed Quantum Computing: Quantum teleportation allows scientists to “wire together” multiple, distant quantum processors. By pooling their capabilities, they can create larger, more powerful quantum computers that can solve problems neither could solve individually. 
  • Quantum Internet: This breakthrough is a fundamental step toward building a quantum internet, which would rely on teleportation to transmit quantum information reliably and securely over vast distances. 

Important distinction: 

  • This is not the “teleportation” of science fiction, which involves moving matter. Instead, quantum teleportation is about moving quantum information from one place to another.’

My 17th Q. – ‘Can a quantum processor be used to reverse time in order to provide valuable insights into the fundamental nature of time and thermodynamics?’

AI – ‘Yes, a quantum processor can be used to simulate or “reverse” the flow of time within a quantum system, providing insights into time and thermodynamics by observing the temporary decrease of quantum entropy and revealing potential violations of the second law of thermodynamics under controlled quantum conditions. This is not actual time travel but a demonstration of quantum mechanical principles, allowing for experiments that explore the nature of time symmetry and the direction of the arrow of time

How it Works

  1. Preparing a Quantum System: 

Researchers begin by preparing a quantum system, such as a set of qubits, in a known, ordered state. 

  • Evolution and Scrambling: 

The system is then allowed to evolve, naturally becoming more disordered or “scrambled” over time. 

  • Applying a “Rewind” Algorithm: 

A specially designed quantum algorithm is then applied to the system. This algorithm acts like a “rewind button,” effectively inverting the evolution of the qubits. 

  • Return to Previous State: 

The algorithm causes the qubits to return to their original, ordered state, demonstrating a brief, localized reversal of the system’s forward progression. 

Insights into Time and Thermodynamics

This process shows that quantum systems can temporarily experience a decrease in entropy, which is a temporary reversal of the natural increase of disorder that the second law of thermodynamics usually dictates for macroscopic systems. 

The experiments challenge our intuitive understanding of the one-way direction of time, suggesting that at the quantum scale, the rules might be more flexible and time-symmetric than we typically experience. 

  • Thermodynamic Principles: 

By observing these temporal reversals, scientists can probe the fundamental principles governing irreversibility and gain a deeper understanding of the processes that define the forward flow of time. 

Limitations

  • Not Time Travel: 

This is not human time travel; it is a controlled experiment at the particle level. 

The reversal happens within an isolated quantum system but requires an external device to implement the specific algorithm. The second law of thermodynamics still holds for large-scale closed systems.’

My final Q. – ‘Are scientists developing hand held Quantum Processors?’

AI. – ‘Yes, scientists and companies are developing what they call handheld or portable quantum computers, though these are currently limited for educational purposes and use simpler nuclear magnetic resonance (NMR) technology. Projects like SpinQ’s Gemini Mini are examples of this, making quantum computing more accessible for hands-on learning, while other research aims to create much more powerful, large-scale quantum processors that could eventually be much smaller, potentially fitting into a handheld device. 

Current “Handheld” Quantum Processors

This is a 2-qubit portable quantum computer that uses NMR to function without complex, expensive cryogenic systems. 

  • Educational Focus: 

These devices are designed for education, research, and outreach, providing a more affordable and accessible way to learn about quantum computing concepts. 

  • Simpler Technology: 

They operate at room temperature and utilize NMR technology, which is a different approach from the superconducting qubits used in larger quantum machines. 

Future Potential for Handheld Devices 

  • Scaling Down Complex Systems: 

While current handheld quantum computers are basic, the long-term goal is to shrink powerful, large-scale quantum processors into more compact forms, according to sources like BBC News and Live Science.

  • Breakthroughs in Chip Architecture: 

Companies like Microsoft are developing new chip architectures, such as their Majorana 1, which could allow for significantly more qubits on a single chip, potentially leading to devices that are palm-sized.

  • Transformative Applications: 

The aim is to create quantum computers powerful enough to solve real-world problems that are impossible for today’s supercomputers, such as developing new materials or breaking complex encryption, which could eventually be integrated into handheld devices.’

See also my earlier blog above – ‘What did the symbol of a deity carrying a bag signify in Antiquity?’

Is it possible that these ancient symbols represented hand held devices that were Quantum Processors?