‘How was the sacred merged with the mundane in ancient art?’

AI – ‘In ancient art, the sacred and the mundane were often merged because the people of these cultures perceived the entire world, including everyday life, as imbued with a spiritual dimension. Unlike modern perspectives that often separate the sacred and secular, ancient societies integrated religious beliefs and daily activities into a unified worldview, which was reflected directly in their art. 

This integration was achieved in several key ways:

  • Deities in Daily Life: Gods and spirits were considered ever-present and involved in human affairs, not detached from the physical world. Art depicted these deities actively participating in or observing scenes from daily life.
  • The Afterlife as an Extension of Earthly Life: In ancient Egypt, for example, the conception of the afterlife was closely modelled on the experiences, needs, and desires of life on Earth. Consequently, tomb art featured elaborate scenes of the deceased enjoying everyday activities (farming, feasting, etc.) to ensure a pleasant existence in the afterlife, effectively merging the sacred space of the tomb with mundane aspirations.
  • Incorporation of Real People and Settings: In ancient Greek and Roman art (and later the Renaissance), religious figures were often presented in a human way, using real people as models or setting biblical scenes in contemporary, recognizable landscapes to create a clear connection between the divine and the human world. Patrons even had themselves included in religious paintings, often in their daily attire (e.g., a military commander in his armour), to express their piety and merge their worldly status with a spiritual context.
  • Mundane Objects Becoming Sacred: Everyday objects could gain sacred significance through their use in rituals or religious contexts. An object commissioned by God, like the bronze serpent (Nehashtan) in the Hebrew Bible, was a common object (a snake on a pole) that became a potent sacred symbol of healing.
  • Architecture as a Transition Point: Architectural design itself could facilitate the merging. Ceremonial gateways in Asia, for instance, are designed to signify the crossing from the mundane world to a spiritually purer, elevated sacred area, making the physical transition a spiritual one as well.
  • Syncretism in Iconography: The blending of gods from different cultures, such as the Roman god Mercury with the Egyptian Anubis to form Hermanubis, resulted in hybrid imagery that combined the attributes of both deities and their associated domains (guiding souls, investigating truth), merging disparate sacred beliefs into a single form.’

See – Lost Ancient Wisdom, the Breakaway Civilization & the Code to Reality | Randall Carlson: Lost Ancient Wisdom, the Breakaway Civilization & the Code to Reality | Randall Carlson – YouTube